In this episode, British sculptor Diane Maclean talks about how studying modern languages helped her subsequent career, how she first achieved success as a portrait painter, how she began sculpting, why stainless steel became her preferred material and how themes of natural, earthly phenomena have become prevalent in her work.
Accompanying images on consideringart.com
Seated Hands, 1995
Forest of Light, 2012
Time Beam II at Stansted Airport, made in collaboration with artist Hugh Tessier
Aeolus, 2005
All images are ©Diane Maclean
You can see more of Diane’s work on her website
Music: Ibiza by MBB | https://soundcloud.com/mbbofficial
Considering Art 
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