Considering Art Podcast – Chris Levine, tripping the light fantastic

In our latest podcast episode, Bob Chaundy talks to “light artist” Chris Levine about his spectacular, immersive light installations, his portraits of The Queen and the Dalai Lama, and the spiritual dimension to his life and work.

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WK Lyhne – Three

In her new solo exhibition, Three, British artist WK Lyhne (a Danish surname pronounced Luna) presents three paintings, each of a nude figure captured at a moment of unguarded intimacy, lying in bed among rumpled sheets and blankets.

These oil paintings, done from life, mark a significant departure from the artist’s previous works. These would often comprise provocative images of slaughtered animals dripping blood or large-scale defiant figures in sexually charged explicit poses. They might not have appealed to the prudish or those with a weak stomach, but they took a hefty swipe at female objectification. 

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Naomi Frears – Beaux Arts

Last summer, as a result of the UK’s prolonged heatwave, ancient archaeological features began mysteriously appearing in our countryside visible from the air, only to vanish again when the rains came. For a short time, you could detect the outlines of ancient farms, burial mounds and neolithic settlements. I was reminded of this when viewing Naomi Frears work in her new exhibition at London’s Beaux Arts Gallery.

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Derek Boshier – Might and Snow/Fragments: Contemporary Still Life

In his last email to Derek Boshier before he died, David Bowie complimented the artist saying that his work “cascades down the decades”. Boshier had drawn the covers for Bowie’s Lodger and Let’s Dance covers. For Boshier’s career began as a pioneer of British pop art back in the 1960s. Now 82, he’s as active as ever, as his new show Night and Snow/Fragments: Contemporary Still Life amply demonstrates.

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Nicole Wassall – Precious Mettle

For her new exhibition entitled Precious Mettle at London’s Fiumano Clase Gallery, British artist Nicole Wassall has created a series of works that serve both as aesthetic pieces in their own right and as metaphors for underlying themes prevalent in our society today. Thoughtful and thought-provoking, Wassall has managed to pull off the trick of using highly complex processes to create artworks that appear simple yet are anything but simplistic.

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