In this episode, Giles talks about how he nearly brought down the Berlin Wall with the Mutoid Waste Company, why he first began using moving parts in his sculptures, how he developed a political edge in his works, how his installation The Last Supper posed questions about religious education and how the installation Monster depicted what he has called a national nervous breakdown.
Accompanying images on consideringart.com
Scenes from Monster
You can see a film of Monster here
All images are © Giles Walker
You can see more of Giles’s work on his website
Music: Ibiza by MBB | https://soundcloud.com/mbbofficial
Considering Art 
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