Considering Art Podcast – Delphine Diallo, portrait photographer

In our latest podcast episode, French photographer Delphine Diallo talks about her upbringing in Paris, how she gave up a career in the French music industry to work as a photographer in New York, how she initially struggled for recognition and how she embarked upon a mission to change the way women of colour are portrayed in her profession.

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Considering Art Podcast – Paul de Monchaux, sculptor and Tess Jaray, painter

In our latest podcast episode, these two distinguished octogenarians talk about the common ground they’ve shared throughout their careers – their time studying together at the Slade School of Fine Art, the influence of architecture on their work, their love of Italy, public commissions, their artistic challenges, their experience of teaching and their email correspondences over many years highlighted in their shared exhibition at London’s Frestonian Gallery.

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Considering Art Podcast – Nancy Cadogan, figurative painter

In our latest podcast episode, British/American painter Nancy Cadogan tells how art has been her destiny from an early age, how she began painting landscapes in Africa, the US and Europe, how she turned from the observational to painting from the imagination and how her experience of lockdown influenced her latest exhibition based on the final days of the romantic poet John Keats.

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Considering Art Podcast – Fanny Rush, portrait painter

For two decades, Fanny Rush has been painting the portraits of high profile figures from the world of entertainment, business, politics and elsewhere. In our latest podcast episode, she tells why she gave up a successful career in the fashion and commercial film industries for painting, how she fell in love with portraiture, who influences her and how she goes about her work.

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Jim Shaw – Hope Against Hope

If you weren’t familiar with the work of the American artist Jim Shaw, it wouldn’t take you long to figure out who he won’t be voting for in next week’s Presidential election. His monochrome silkscreen print, above, is entitled Donald and Melania Trump descending the escalator into the 9th circle of hell reserved for traitors frozen in a sea of ice. It’s what it says on the tin, typical of the biting wit that Shaw unleashes in this marvellous exhibition of new works at London’s Simon Lee Gallery, his first here for four years.

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