As the latest in a series of artists who use Virtual and Augmented Reality as part of their working practice, the Gazelli Art House, London features a new exhibition by Russian duo, The Recycle Group, named because they use both recycled imagery and materials. The pair have won awards for their pioneering use of technologies and the way they bridge incompatible subjects such as the classic and the contemporary. They represented Russia at the 57th Venice biennale. Now they examine the relationship between man and machine.Continue reading “Recycle Group – Nature of Non-Existence”
Me Somewhere Else is the latest installation by Berlin-based Japanese artist Chiharu Shiota to use thread as its medium. It forms part of a two-handed exhibition with Jonas Burgert’s Schlagen und Bleiben. A billowing cloud of blood-red thread hovers over the ground floor gallery, anchored by a pair of bronze feet. These are casts of the artist’s own feet and their solid, weighted nature contrasts with the ethereal quality of the rest of the work.Continue reading “Chiharu Shiota/Jonas Burgert”
A few days ago I was sitting in a café in the east end of London when a couple of students came in and asked me some pre-prepared questions about how the area had changed over the past decades.
Without having to say anything, I pointed to my flavoured latte and to the vegan cakes on offer. We soon got on to the subject of gentrification, the high price of rents , the erosion of public amenities and the dominance of service industries. Continue reading “Elmgreen and Dragset – This is how we bite our tongue”
“I want to take the sting out of vulnerability,” says Charming Baker at the unveiling of several of his new works on this theme in a solo show at Jealous Gallery. “I want to take the things we’re frightened of and make us feel better about them.” Continue reading “Charming Baker – So It Goes…”
Like most ceramic artists, Bev Bell-Hughes began by making functional slipware, producing cups, saucers, pots and suchlike and selling them in markets in London. At Harrow art school, she began intuitively pinching the clay, a technique she has refined and which is in abundant evidence at her latest exhibition of 45 new works at London’s Contemporary Ceramics Centre entitled Tidal Echo. Continue reading “Tidal Echo – Bev Bell-Hughes”
For 10 years until 2017, Sophie Morrish was a familiar sight to many of the 1200 inhabitants of North Uist, the remote island in the Outer Hebrides and one of the most bio-diverse places in the UK. It’s a windy place where the calmness of the top image, Evening light from Kyles Beach, 2013, is an all-too rare occurrence for more than a few days at a time.
As a self-confessed obsessive, Morrish would walk the beaches of the 100 square mile island, observing, finding, photographing and collecting some of the remains of the fauna washed up on the shore. Continue reading “Sophie Morrish – Island Time: North Uist Works”
It’s not often you can say that you can actually affect the nature of a sculpture. In Johannes Girardoni’s first solo exhibition in the UK, entitled Sensing Singularity at London’s Lévy Gorvy Gallery, the viewer gets to be part of the action. Continue reading “Johannes Girardoni-Sensing Singularity”
Like so much good art, ceramicist James Oughtibridge’s work only begins with a vague idea of what he wants to end up with. His sculptures grow and evolve from slabs of clay to round, curvaceous forms in which perspectives change and deceive around undulations, peaks and troughs defined by sometimes smooth, sometimes sharp edges. There are openings like blowholes, spheres resembling bubbles with a certain lightness enhanced by the interplay of light and shadow that contradicts the weight of the medium. Continue reading “James Oughtibridge – Ebb and Flow”
The London Open 2018, which was launched on Thursday at The Whitechapel Gallery, claims to feature some of the best contemporary art around by those resident in the capital. It happens every three years in a tradition dating back to 1932. Its judging panel, including the Gallery’s Emily Butler, whittled 2,600 applications down to those representing just 22 artists. They were chosen not only for the quality of their work, but also for representing various themes current in London over the past three years and for having a long-term engagement with their subject matter. Continue reading “The London Open 2018”