When you walk into a gallery, particularly one in Mayfair, you don’t expect to see such a hive of activity with paint being dripped, sets hammered, installations constructed, in other words a gallery being used as a working studio. For this is what is happening to the Lazinc Gallery for the coming weeks where some 25 contemporary urban artists from around the world will be transforming the place and offering the chance for visitors to watch the process of art in the making.
Continue reading “Watch This Space – Lazinc Gallery”Corey Whyte – Enter the Golden Quarter
A couple of weeks ago I noticed that my local garden centre was already stocking up for Christmas. Watching Santa’s grotto ready to be assembled in mid-September shouldn’t surprise me as it happens every year at this time, but somehow it did. Retailers term the run-up to Christmas and other holidays as The Golden Quarter. Sculptor Corey Whyte has appropriated the title for his first solo exhibition which looks at the way society operates within a culture of commodification and how society itself has become commodified.
Continue reading “Corey Whyte – Enter the Golden Quarter”Nicole Wassall – Precious Mettle
For her new exhibition entitled Precious Mettle at London’s Fiumano Clase Gallery, British artist Nicole Wassall has created a series of works that serve both as aesthetic pieces in their own right and as metaphors for underlying themes prevalent in our society today. Thoughtful and thought-provoking, Wassall has managed to pull off the trick of using highly complex processes to create artworks that appear simple yet are anything but simplistic.
Continue reading “Nicole Wassall – Precious Mettle”Margaret Curtis – Surface
“I like the clay to speak for itself”, says ceramicist Margaret Curtis, speaking to me at the launch of her new exhibition, Surface, at the Contemporary Ceramics Centre in London. Her pieces, whether they be large vases and cylinders or small bottles and cups, have one thing in common – their imperfection. “I make them in the round, sort of precise, then I start pushing them and poking them and distorting them and let the movement of the clay give a lot of feeling.”
Continue reading “Margaret Curtis – Surface”We Sing the Body Electric – Gallery 46
In so many aspects of our culture – fashion, film, all forms of art in fact – the human body, particularly the female form, has become sexualised. To many feminists, the idea of the male gaze, for example, where men gain pleasure from looking upon a passive female subject, is symptomatic of male oppression and female objectification.
Continue reading “We Sing the Body Electric – Gallery 46”Caught in the Net – Erub Arts
You will have to have been stranded on a remote desert island over the past couple of years not to be aware of the danger to our planet and to our wildlife of plastic pollution. TV programmes such as Blue Planet have regaled us with shocking images of how plastic is choking the life out of sea creatures, and the food industry is almost falling over itself now to reduce plastic bags and packaging to help reduce our dependence on the material.
Continue reading “Caught in the Net – Erub Arts”Emil Alzamora – Expanded Present
Like many sculptors, Emil Alzamora is fascinated and preoccupied with the human form, a form that everyone, from any culture, can relate to on many levels. His new exhibition at London’s Pontone Gallery is dominated by figurative sculptures that are both anonymous and androgynous, being allegories and metaphors for the human condition.
Continue reading “Emil Alzamora – Expanded Present”Bruce McLean – Five Decades of Sculpture, Part One 1967-1994
Sculptor, painter, ceramicist, performance artist, filmmaker, Bruce McLean’s career flits about in a variety of genres. He’s regarded as having led the development of British conceptual art in the 1960s. Not that he would necessarily have it that way. He regards himself solely as a sculptor. His work subtly and playfully makes fun of the pomposity and established forms of the art world.
Continue reading “Bruce McLean – Five Decades of Sculpture, Part One 1967-1994”Various Artists – The Lie of the Land
The portrait above suggests how the aristocracy and the English landscape are as harmonious and natural as the sun that shines down on the rolling hills of the estate over which its subject, Mr Plampin, lauds.
It was around the time that Gainsborough painted the picture that landed estates, sculpted by landscape artists such as Capability Brown, were opened up to the public as places of leisure and which came to influence the British obsession with parks and gardens. The first to do so was Stowe Gardens in Buckinghamshire and part of the theme of Lie of the Land is to trace a line between Stowe and the urban experiment that is Milton Keynes only 15 miles away and which forms the inaugural exhibition in the city’s sparkingly refurbished Milton Keynes Gallery.
Continue reading “Various Artists – The Lie of the Land”Antony Gormley – Lunatick
The moon is deeply embedded in our artistic culture – we sing about it, write about it, make films about it and in return it affects our very being through its lunar cycles. It’s been 50 years since man took his first steps on our nearest planetary neighbour. Since then only 12 astronauts have done so. Now, we too can get a taste of what it’s like to walk on the moon thanks to a virtual reality experience designed by the esteemed sculptor Antony Gormley.
Continue reading “Antony Gormley – Lunatick”