Gill Button – Traces of You

With a background in illustration, Gill Button has established a reputation for taking as inspiration images of models and figures from the pages of fashion websites and magazines and re-versioning them into intimate portraits. With a deft touch of the paintbrush, she succeeds in investing each one with human emotion, feelings such as vulnerability, assertiveness, defiance or just plain cool. Her new solo exhibition, Traces of You, sees her take this practice a step further and extending her repertoire.

Continue reading “Gill Button – Traces of You”

Henrik Uldalen – Lethe

It’s a common theme in history that reactionary groups look back to a so-called golden age, believing that society’s ills will be cured if one returned to the values of the good old days. It’s never that simple of course and the idea of a false collective memory looking at the past through a rose-tinted filter is the theme of Henrik Uldalen’s new solo exhibition, Lethe, at JD Malat Gallery.

Continue reading “Henrik Uldalen – Lethe”

Pierre Gonnord – Nature Tales

To look at they could almost be paintings – portraits made in the classical style of a Goya or a van Eyck. Indeed, French photographer Pierre Gonnord cites them as influences. “A portrait obliges you to have a kind of contemplation,” he says. His first solo exhibition in the UK, Nature Tales,  gives plenty to contemplate. Comprising seven diptychs, each human portrait is paired with that of an animal. 

Continue reading “Pierre Gonnord – Nature Tales”

Andrew Lanyon – Beaux Arts London

Andrew Lanyon is a polymath. He was a photographer who worked with Eve Arnold. He studied film technique, made several short prize-winning films and helped Stanley Kubrick in the early ‘70s as an assistant editor of Ambit Magazine. He has penned dozens of books, both fiction and non-fiction. He can conjure, he sculpts, he publishes, he writes poetry and songs and he paints. He probably dances and plays the bagpipes too though I never asked him about that. I met him at his latest solo art exhibition comprising some 40 small-scale oil paintings produced over the last decade.

Continue reading “Andrew Lanyon – Beaux Arts London”

Leo Villareal – Pace Gallery

A silver sun sends out waves in pulses that suddenly dissolve into a swirling mass of tadpole-like shapes. A molten core waxes and wanes while shooting stars erupt around it in seemingly endless and varied sequences. These white light installations, one nearly 40 foot wide, some as individual pieces, others as triptychs, are by American artist Leo Villareal in his first solo exhibition at London’s Pace Gallery.

Continue reading “Leo Villareal – Pace Gallery”

Homelands: Art from Bangladesh, India and Pakistan – Kettle’s Yard

Fierce nationalism and inter-religious tension in South Asia have been a constant feature of the region’s modern history, a legacy of Partition in 1947 and the struggle for independence for Bangladesh in 1971. Millions of people were displaced and millions were killed either directly or through famine. The resultant instability of concepts like home and nationality is explored  by 11 acclaimed artists in a new and stimulating exhibition at Cambridge’s Kettle’s Yard, curated by Dr Devika Singh, Curator of International Art at Tate Modern.

Continue reading “Homelands: Art from Bangladesh, India and Pakistan – Kettle’s Yard”

WK Lyhne – Three

In her new solo exhibition, Three, British artist WK Lyhne (a Danish surname pronounced Luna) presents three paintings, each of a nude figure captured at a moment of unguarded intimacy, lying in bed among rumpled sheets and blankets.

These oil paintings, done from life, mark a significant departure from the artist’s previous works. These would often comprise provocative images of slaughtered animals dripping blood or large-scale defiant figures in sexually charged explicit poses. They might not have appealed to the prudish or those with a weak stomach, but they took a hefty swipe at female objectification. 

Continue reading “WK Lyhne – Three”

Blog at WordPress.com.

Up ↑