Esther Teichmann’s world is a mystical one of caves, swamps and underground lakes that exist somewhere between the real and the imagined, between autobiography and fiction. They are fragments of memory informed by the landscape of the Rhine Valley and the valleys of the Black Forest where she grew up and reimagined as mysterious, womb-like spaces where women sometimes sleep and dream.Continue reading “Esther Teichmann – On Sleeping and Drowning”
As part of a double-header, The Flowers Gallery in Hoxton is staging in its upper space Tom Lovelace’s first solo exhibition here for four years. While the Ken Currie show downstairs comprises straightforward narrative paintings with albeit dark subtexts, Lovelace’s work could not be more different.Continue reading “Tom Lovelace – Interval”
American artist Peter Gronquist draws on a wide range of media for his works – fabric, metal, ceramics, frosted glass, mirrors, even taxidermy. Working from his barn by a lake near Portland, Oregon, his oeuvre is multi-disciplinary – sculpture, painting and installation.
In whatever medium, his themes have revolved chiefly around American obsessions with material wealth, consumerism, guns, and religion. He once said, “Our culture puts money and violence on way too high a pedestal. I think these days people no longer see the line between entertainment and reality.”Continue reading “Peter Gronquist – Shape Shifter”
As the latest in a series of artists who use Virtual and Augmented Reality as part of their working practice, the Gazelli Art House, London features a new exhibition by Russian duo, The Recycle Group, named because they use both recycled imagery and materials. The pair have won awards for their pioneering use of technologies and the way they bridge incompatible subjects such as the classic and the contemporary. They represented Russia at the 57th Venice biennale. Now they examine the relationship between man and machine.Continue reading “Recycle Group – Nature of Non-Existence”
Me Somewhere Else is the latest installation by Berlin-based Japanese artist Chiharu Shiota to use thread as its medium. It forms part of a two-handed exhibition with Jonas Burgert’s Schlagen und Bleiben. A billowing cloud of blood-red thread hovers over the ground floor gallery, anchored by a pair of bronze feet. These are casts of the artist’s own feet and their solid, weighted nature contrasts with the ethereal quality of the rest of the work.Continue reading “Chiharu Shiota/Jonas Burgert”
A few days ago I was sitting in a café in the east end of London when a couple of students came in and asked me some pre-prepared questions about how the area had changed over the past decades.
Without having to say anything, I pointed to my flavoured latte and to the vegan cakes on offer. We soon got on to the subject of gentrification, the high price of rents , the erosion of public amenities and the dominance of service industries. Continue reading “Elmgreen and Dragset – This is how we bite our tongue”
London’s Gazelli Art House is currently hosting the third in a series of Virtual Reality art exhibitions, entitled Through the Headset 3 in which three artists/artistic groups are showing their different explorations of the media. Continue reading “Through the Headset 3 – Mbrionic, Magruder and CiRCA 69”
As you turn from the corridor of Somerset House’s West Wing into Room 12, you’re in for something of a surprise. It’s quite dark, for a start, with the only light emanating from the film of a tropical rainforest being projected on to a woodpile structure in the centre. Around it are stools created from cylindrical branches of wood on which you can sit and watch the film. And you’re enveloped by a soundtrack of the forest – the birds, insects and rainfall. Continue reading “Desmatamento – David Elia”
The London Open 2018, which was launched on Thursday at The Whitechapel Gallery, claims to feature some of the best contemporary art around by those resident in the capital. It happens every three years in a tradition dating back to 1932. Its judging panel, including the Gallery’s Emily Butler, whittled 2,600 applications down to those representing just 22 artists. They were chosen not only for the quality of their work, but also for representing various themes current in London over the past three years and for having a long-term engagement with their subject matter. Continue reading “The London Open 2018”