Elmgreen and Dragset – This is how we bite our tongue

A few days ago I was sitting in a café in the east end of London when a couple of students came in and asked me some pre-prepared questions about how the area had changed over the past decades.

Without having to say anything, I pointed to my flavoured latte and to the vegan cakes on offer. We soon got on to the subject of gentrification, the high price of rents , the erosion of public amenities and the dominance of service industries. Continue reading “Elmgreen and Dragset – This is how we bite our tongue”

William Tillyer – Golden Striker and Esk Paintings

As the climax to a season-long exhibition of British artist William Tillyer’s works at the Bernard Jacobson Gallery and to celebrate the 80th birthday of the artist, the exhibition Golden Striker – Esk Paintings introduces the new nine-metre long and nearly three metres high painting, The Golden Striker, above, stretching across the back wall of the gallery.  Continue reading “William Tillyer – Golden Striker and Esk Paintings”

John Loker – Six Decades

Over six decades John Loker has sealed a reputation for being one of Britain’s most accomplished yet category-defying artists. His work can be found in prestigious galleries and collections worldwide including, at home, the Arts Council, the Tate, the Royal College of Art and the V & A. 

Yorkshire-born, he studied at Bradford School of Art and Design in the 1950s along with the likes of David Hockney, Norman Stevens and David Oxtoby. He moved to London to study painting at the Royal College of Art in 1960 and remained in the capital more or less continually until a recent move to Norfolk. I had the great pleasure of accompanying John as we toured this retrospective exhibition of his work over 60 years, at the Flowers Gallery which has represented him for nearly all of that time. Continue reading “John Loker – Six Decades”

Judy Millar interview – The View from Nowhere

Born in 1957, Judy Millar has become one of New Zealand’s best known painters, representing her country at the 53rd Venice Biennale in 2009. Her work has been exhibited not only throughout her own country but also in Europe and the United States to much critical acclaim. Her gestural work has seen many forms including large paintings that tumble from the gallery ceilings in large coils. For her first solo show in London, The View from Nowhere, she presents six paintings full of energetic and colourful works that include a signature process in which she removes layers of paint from the surface after applying it. I talked to Judy Millar on the first evening of her show.    Continue reading “Judy Millar interview – The View from Nowhere”

Desmatamento – David Elia

As you turn from the corridor of Somerset House’s West Wing into Room 12, you’re in for something of a surprise. It’s quite dark, for a start, with the only light emanating from the film of a tropical rainforest being projected on to a woodpile structure in the centre. Around it are stools created from cylindrical branches of wood on which you can sit and watch the film. And you’re enveloped by a soundtrack of the forest – the birds, insects and rainfall.  Continue reading “Desmatamento – David Elia”

Tidal Echo – Bev Bell-Hughes

Like most ceramic artists, Bev Bell-Hughes began by making functional slipware, producing cups, saucers, pots and suchlike and selling them in markets in London. At Harrow art school, she began intuitively pinching the clay, a technique she has refined and which is in abundant evidence at her latest exhibition of 45 new works at London’s Contemporary Ceramics Centre entitled Tidal Echo. Continue reading “Tidal Echo – Bev Bell-Hughes”

The Day Spring Ended – Robert Aish

1968 was a tumultuous year in world politics. Authority was being challenged in various ways in different parts of the world. The Tet offensive by the Viet Cong had dealt a psychological, if not military, blow to the American government and gave a huge impetus to the war’s opponents. Matters reached a head when protesters were brutally put down by the police outside the Democratic Party Convention in Chicago.  Continue reading “The Day Spring Ended – Robert Aish”

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