For her new exhibition entitled Precious Mettle at London’s Fiumano Clase Gallery, British artist Nicole Wassall has created a series of works that serve both as aesthetic pieces in their own right and as metaphors for underlying themes prevalent in our society today. Thoughtful and thought-provoking, Wassall has managed to pull off the trick of using highly complex processes to create artworks that appear simple yet are anything but simplistic.
Continue reading “Nicole Wassall – Precious Mettle”Frost, Heron, Lanyon Scott: Four Giants of British Modernism
Terry Frost, Patrick Heron, Peter Lanyon and William Scott were groundbreaking British post-war artists who were inspired by the Cornish landscape. These major figures are featured in a new exhibition at Beaux Arts London entitled Giants of British Modernism. The four, together with many others such as Barbara Hepworth, Ben Nicholson and Bernard Leach, were pioneers of British abstract art and were associated with the St Ives School.
The fishing village of St Ives attracted artists for its spectacular scenery and the clarity of its light. Patricia Singh, co-director of Beaux Arts, ran the Will’s Lane Gallery in St Ives in the 1970s and knew three of the four artists well. Peter Lanyon had died in a glider crash in 1964. The exhibition features 5-6 works from each painter. In the following interview she was able to give me a personal insight into the artists’ works and the creativity behind them.
Continue reading “Frost, Heron, Lanyon Scott: Four Giants of British Modernism”Enter Through the Headset 4 – various artists
Donning the Virtual Reality headset for the first exhibit in Gazelli Art House’s latest edition of its annual showcase of artists working in VR, I found myself being guided around a cityscape. Everything about the scene was geometric – the grid street pattern, the windows on the skyscrapers and the universal shape of the buildings themselves that hemmed one in, somewhat oppressively so.
Continue reading “Enter Through the Headset 4 – various artists”Peter Mammes – Presumed Alive
Symbols of war and oppression together with unsettling images of Victorian medical procedures are among the curious mixes that the young South African artist Peter Mammes has peppered his paintings and drawings in his first UK solo exhibition, Presumed Alive.
Continue reading “Peter Mammes – Presumed Alive”Suzanne Moxhay – Conservatory
The world of Suzanne Moxhay is one of decrepit interiors where plants seem to grow out of the floorboards, where ceilings have collapsed, fireplaces cracked, walls broken and where the wallpaper dissolves into fading images of old romantic landscapes.
Continue reading “Suzanne Moxhay – Conservatory”Margaret Curtis – Surface
“I like the clay to speak for itself”, says ceramicist Margaret Curtis, speaking to me at the launch of her new exhibition, Surface, at the Contemporary Ceramics Centre in London. Her pieces, whether they be large vases and cylinders or small bottles and cups, have one thing in common – their imperfection. “I make them in the round, sort of precise, then I start pushing them and poking them and distorting them and let the movement of the clay give a lot of feeling.”
Continue reading “Margaret Curtis – Surface”Matteo Massagrande – A Grand Tour
From a distance, Matteo Massagrande’s works could be photographs. The rendering of the tiles, the wooden frames of the windows and doors and the exterior seascape and foliage have an extraordinary precision and detail to them. Yet this Italian artist from Padua is anything but a hyper-realist figurative painter. There’s something not quite right about his paintings.
Continue reading “Matteo Massagrande – A Grand Tour”We Sing the Body Electric – Gallery 46
In so many aspects of our culture – fashion, film, all forms of art in fact – the human body, particularly the female form, has become sexualised. To many feminists, the idea of the male gaze, for example, where men gain pleasure from looking upon a passive female subject, is symptomatic of male oppression and female objectification.
Continue reading “We Sing the Body Electric – Gallery 46”Joshua Hagler – Chimera
Confusion, paradox, contradiction, illusion. These are the kind of abstracts that American artist Joshua Hagler addresses in his new London exhibition, Chimera. The title is a reference to the Greek mythological beast that sported the head of a lion, the body of a goat and the tail of a serpent. It has come to symbolise something that is hoped for but impossible to achieve.
Continue reading “Joshua Hagler – Chimera”Her Ground: Women Photographing Landscape
Female photographers, particularly those concerned with landscape, get very little gallery time compared to their male counterparts. So it’s refreshing to see Flowers Gallery inviting nine women to exhibit their work together, using examples from larger series. It’s above all a very thoughtful exhibition that works on many levels.
Continue reading “Her Ground: Women Photographing Landscape”