ART PODCASTS
In this episode, Kristian Evju talks about his background in a remote part of Norway, the influence of psychology on his art, his time at Chelsea College of Art in London, how historical archive photos and research form the basis of many of his series including those of old technology and prisoner mugshots, and how all his works have a personal connection.
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In this episode, HSWD talks about her aristocratic heritage, her philandering gambling father with whom she lived in Soho in the 1970s, how she encountered artists such as Francis Bacon and various other famous and infamous characters, how she decries the changing character of the area, how she discovered art and the inspirations for her paintings.
Continue reading “Considering Art Podcast – Henrietta Sophia Wallace Dunlop, painter”
In this episode, photographer Oli Kellett talks about how he discovered Paradise early in his career, how the idea emerged for his award-winning series Cross Road Blues, the concept behind it and how he photographed it, how ice-cream and eastern philosophy combined to inspire his Life Drawing Series, and how his current obsession is something of a soap opera.
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In this episode, Michael Pemberton talks about his career as an abstract painter in which he has investigated the relationship between our inner and outer selves, how a certain restlessness and thirst for new experiences has seen him live in different parts of the world, how concern for the environment has continued to inspire his works, and why he has turned to featuring the human form in his paintings including in his latest exhibition entitled The Age of Water.
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In this episode, Andrew Gow talks about his career’s early birthing pains, his technique for painting portraits that he regards as art’s greatest challenge and which has brought him widespread acclaim, and how he has recently added narrative paintings to his oeuvre that draw from his personal concerns about the state of the world and from his grounding in art history and ancient myths.
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In this episode, acclaimed painter Nick Archer talks about how his artistic vision changed while at the Royal Academy Schools in London, how he turned to landscapes after leaving London for the countryside, how his works explore the relationship between figures and the landscape, the influence of film directors on his paintings, how his process involves a certain lack of control, how colour initiates his themes and how recent works involve fragility.
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In this episode, the internationally renowned Indian artist Suhasini Kejriwal talks about her work The Garden of Un-earthly Delights exhibited at Frieze Sculpture in London, why she studied art abroad, how surrealism became an early influence, how she builds imaginary scenes from real elements, how lockdown affected her view of nature, how she turned frenetic Indian city street scenes into art, and about working with communities in deprived areas of Kolkata.
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Antoni Malinowski has established an international reputation for his works that comprise colour, movement and light and are often applied directly on to architectural spaces. Here he talks about his difficult upbringing in Poland before moving to London to further his art studies, how discovering frescoes in Venice was a revelation, how he adapted his work to large architectural buildings such as The Royal Court Theatre in London, the Everyman Theatre in Liverpool and the Dulwich Picture Gallery, and how he began using light-sensitive interference pigments for their optical effect.
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In this episode, Dangerosa, aka Lisa Buchanan, talks about why she chose her artistic name, how niche film directors and musicians have influenced her oeuvre as much as other artists, the importance of a local artist residency in kickstarting her career, how her photorealistic paintings incorporate romanticism, horror, and surrealism, and how working with high-profile artists such as Damien Hirst and Sir Michael Craig-Martin has inspired her.
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In this episode, James Hart Dyke talks about how landscape painting caught his imagination from an early age, how he studied architecture before going to art school, how he made his name painting country houses, being the accompanying artist on four royal tours with the then Prince of Wales, his attraction to dramatic landscapes in particular climbing mountains such as Everest to capture the views, being a war artist in Iraq and Afghanistan, his experience of drawing and painting with the British Secret Intelligence Service, his portrait painting and his recent ascent of Mont Blanc to paint summit pictures.
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