ART REVIEWS
In our latest podcast episode, American multi-media artist James Stanford tells of the extraordinary experience that convinced him to become an artist, how his art is influenced by his Zen Buddhist beliefs and about his love for his hometown of Las Vegas.
Continue reading “Considering Art Podcast – James Stanford, American multi-media artist”
In our latest podcast episode, British artist WK Lyhne talks about the symbolic significance of animals in her work, how sex and death is at the root of art, why she gave up a career as an architect and a new prize she has initiated for the lockdown.
Continue reading “Considering Art Podcast – WK Lyhne, painter”
In our latest podcast episode, Syrian portrait artist Sara Shamma talks about how she incorporates the subconscious into her works, how she was forced to leave her country and how a deep sense of humanity pervades her pictures.
Continue reading “Considering Art Podcast – Sara Shamma, Syrian portrait painter”
In our latest podcast episode, abstract artist Ian Davenport discusses his early experience as a so-called YBA (Young British Artist), his love of experimenting with process and the development of his renowned colourful stripe and puddle paintings.
Continue reading “Considering Art Podcast – Ian Davenport, abstract artist and designer”
In our latest podcast, Stuart Semple talks about his influences, seminal events in his life, how art can be a catalyst for social change and how art should be accessible to everyone.
Continue reading “Considering Art Podcast – Stuart Semple, artist and social activist”
In this latest podcast episode, Bob Chaundy talks to Arabella Dorman, portrait painter and war artist.
Continue reading “Considering Art Podcast – Arabella Dorman, portrait painter and war artist”
Last summer, as a result of the UK’s prolonged heatwave, ancient archaeological features began mysteriously appearing in our countryside visible from the air, only to vanish again when the rains came. For a short time, you could detect the outlines of ancient farms, burial mounds and neolithic settlements. I was reminded of this when viewing Naomi Frears work in her new exhibition at London’s Beaux Arts Gallery.
Continue reading “Naomi Frears – Beaux Arts”
Orlanda Broom’s paintings are unmistakable. Her landscapes portray steaming jungles of vegetation, full-on nature with colours vivid enough to make a Fauvist blanch. Leaves and stems swirl, shoot and flow in this riot of hues that entice the viewer with their luscious intensity. Continue reading “Ambiguous Nature – Orlanda Broom”
It could be the face, perhaps just a look, or maybe a certain personality trait. The attraction of the muse has been an ever-present phenomenon in art history, someone who can inspire creativity in an artist, someone they might return to time and again.
When you talk about the muse, historically it’s normally associated with the male gaze, but in a new joint exhibition at London’s James Freeman Gallery, entitled Muse, two contemporary artists, Gill Button and Sikelela Owen, offer us a female perspective on what a modern muse might be. Continue reading “Muse – Gill Button and Sikelela Owen”
Superimposition is a well-known term among graphic designers as the process of laying one image on top of another. In the new group exhibition at London’s Partners and Mucciaccia Gallery, four painters take the idea further both physically and intellectually. Paul Morrison, Barry Reigate, Michael Stubbs and Mark Titchner are leading British contemporary artists who, in their different ways, reference art history yet incorporate what they see in life around them in a mash up of styles and genres, all of which involve some type of superimposition. Continue reading “Superimposition – Stubbs, Titchner, Reigate and Morrison”
