Like many sculptors, Emil Alzamora is fascinated and preoccupied with the human form, a form that everyone, from any culture, can relate to on many levels. His new exhibition at London’s Pontone Gallery is dominated by figurative sculptures that are both anonymous and androgynous, being allegories and metaphors for the human condition.
Continue reading “Emil Alzamora – Expanded Present”Lis Rhodes – Dissident Lines
Inequality, social injustice, corruption, statelessness, discrimination, over-surveillance – these are the kind of topics that have consumed Lis Rhodes’s art for five decades. Her passion and conviction shine through in the first-ever major survey exhibition at Nottingham Contemporary. Dissident Lines traces her development from the 1970s to her new work Ambiguous Journeys, created specially for the show.
Continue reading “Lis Rhodes – Dissident Lines”Enrique Martinez Celaya – The Mariner’s Meadow
Enrique Martinez Celaya is a most unusual artist. Unusual, not just in the sense of being of high quality, nor as one steeped also in literature and philosophy, but because he began his career as a scientist. And not just any old science but quantum physics to boot. His particular niche was laser technology in which he holds a PhD. It might seem a complete change of direction when switching to Fine Art but, as his first exhibition at Blain Southern illustrates, he is addressing complex questions relevant to both.
Continue reading “Enrique Martinez Celaya – The Mariner’s Meadow”Jake Wood-Evans – Legacy and Disorder
Strewn around the floor of his Hastings studio are paper images, torn out of books, of many Old Master paintings from which British painter Jake Wood-Evans takes inspiration. It might be Turner, Stubbs, Landseer, Gainsborough or Constable. Over a period of time, the pages have become creased, torn and splattered with paint, which the artist admits, makes them more interesting.
Continue reading “Jake Wood-Evans – Legacy and Disorder”eL Seed – Tabula Rasa
With an array of paint spray cans, French-Tunisian artist eL Seed, has adorned many a building wall the world over with his personal brand of graffiti art. His works carry a message – not confrontational as with a lot of this street genre – but more of reconciliation.
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