Considering Art Podcast – James Mortimer, multi-media artist

In this episode, James Mortimer talks about the reasons behind his works that depict strange, primeval and dramatic landscapes whose inhabitants have cast aside moral constraints and where humans and animals share equal status. James talks about how a dull, industrial town fed his imagination from early childhood, his travels in eastern Europe including Ukraine, the importance of humour in art, his elaborate process and how his influences range from Renaissance paintings to children’s books.

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Considering Art Podcast – Paul Vanstone, stone sculptor

One of Britain’s leading stone sculptors, Paul Vanstone talks about his fascination with stone and how he loves the openness and risk-taking involved in carving it, the feeling of vibrancy that it gives him in particular marble for its variety of colours and texture, how he honed his carving skills in Italy and India, the challenge that AI robots are beginning to pose for sculptors and the influences both classical and modern that one can see in his heads, torsos and reclining figures.

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Considering Art Podcast – Kristian Evju, painter

In this episode, Kristian Evju talks about his background in a remote part of Norway, the influence of psychology on his art, his time at Chelsea College of Art in London, how historical archive photos and research form the basis of many of his series including those of old technology and prisoner mugshots, and how all his works have a personal connection.

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Considering Art Podcast – Henrietta Sophia Wallace Dunlop, painter

In this episode, HSWD talks about her aristocratic heritage, her philandering gambling father with whom she lived in Soho in the 1970s, how she encountered artists such as Francis Bacon and various other famous and infamous characters, how she decries the changing character of the area, how she discovered art and the inspirations for her paintings.

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Considering Art Podcast – Joanne Coates, documentary photographer

In this episode, Joanne talks about how being brought up as a working class girl in the rural north of England has given her a unique perspective for delving beneath the surface of the rural idyll to reveal hidden histories and issues of class, power, identity and poverty. She talks about her own experience of class prejudice and describes the ideas behind her photographic series North Sea Swells, Daughters of the Soil and Lie of the Land.

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Considering Art Podcast – Ant Steel, street artist

In this episode, Ant talks about not being a stereotypical street artist, his experience of living in South Africa during the end of apartheid, studying graphic design and animation there, how he has fostered community relations with his street art since returning to the UK, conducting workshops as part of his art residency at St Albans Cathedral, about his exhibition there called Graffiti and Grace that depicts stages of his life, and about projects in Mexico, China and California.

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Considering Art Podcast – Oli Kellett, photographer

In this episode, photographer Oli Kellett talks about how he discovered Paradise early in his career, how the idea emerged for his award-winning series Cross Road Blues, the concept behind it and how he photographed it, how ice-cream and eastern philosophy combined to inspire his Life Drawing Series, and how his current obsession is something of a soap opera.

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Considering Art Podcast – Michael Pemberton, painter

In this episode, Michael Pemberton talks about his career as an abstract painter in which he has investigated the relationship between our inner and outer selves, how a certain restlessness and thirst for new experiences has seen him live in different parts of the world, how concern for the environment has continued to inspire his works, and why he has turned to featuring the human form in his paintings including in his latest exhibition entitled The Age of Water.

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Considering Art Podcast – Andrew Gow, painter

In this episode, Andrew Gow talks about his career’s early birthing pains, his technique for painting portraits that he regards as art’s greatest challenge and which has brought him widespread acclaim, and how he has recently added narrative paintings to his oeuvre that draw from his personal concerns about the state of the world and from his grounding in art history and ancient myths.

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